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History --- Painting --- painting [image-making] --- anno 1400-1499 --- anno 1500-1599 --- Belgium --- Netherlands --- Painting, Flemish. --- Painting, Renaissance --- Painting, Dutch. --- Painting, Gothic --- Peinture flamande --- Peinture de la Renaissance --- Peinture hollandaise --- Peinture gothique --- Italian influences. --- Influence italienne --- Painting, Flemish --- Painting, Dutch --- Italian influences --- -Painting, Gothic --- -Painting, Renaissance --- -Paintings, Renaissance --- Renaissance painting --- Gothic painting --- Paintings, Gothic --- Flemish painting --- Dutch painting --- -Italian influences --- Paintings, Renaissance --- Benelux countries --- 15th and 16th centuries --- Early Netherlandish --- Painting, Gothic - Flanders --- Painting, Renaissance - Flanders - Italian influences --- Painting, Gothic - Netherlands --- Painting, Renaissance - Netherlands - Italian influences --- Nederlandse school

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Painting [Flemish ] --- Schilderkunst [Vlaamse ] --- Vlaamse schilderkunst --- Peinture gothique --- 1400 - 1530 --- Painting, Netherlandish. --- 75 <493> --- Painting, Flemish. --- -Painting, Gothic --- -Painting, Renaissance --- -Paintings, Renaissance --- Renaissance painting --- Gothic painting --- Paintings, Gothic --- Dutch painting --- Schilderkunst--België --- -Schilderkunst--België --- 75 <493> Schilderkunst--België --- -Flemish painting --- Paintings, Renaissance --- Painting, Dutch. --- Painting, Gothic --- Painting, Netherlandish --- Netherlandish painting --- History --- Painting --- painting [image-making] --- anno 1400-1499 --- anno 1500-1599 --- Belgium --- Netherlands --- schilderkunst --- 15de eeuw --- 16de eeuw --- Nederlanden --- Brugge --- Vlaanderen --- Painting, Dutch --- Painting, Flemish --- Painting, Renaissance --- Peinture hollandaise --- Peinture flamande --- Peinture de la Renaissance --- Painting [Renaissance ] --- Painting [Gothic ] --- Painting [Dutch ] --- Early Netherlandish --- Nederlandse school --- schilderkunst. --- 1400 - 1530. --- 15de eeuw. --- 16de eeuw. --- Nederlanden. --- Brugge. --- Vlaanderen.

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This book represents the first comprehensive study of all the fifteenth-century Flemish paintings in Los Angeles, including those in the J. Paul Getty Museum, the Los Angeles County Museum of Art, the Norton Simon Museum of Art (Pasadena) and the Henry E. Huntington Library and Art Gallery (San Marino). It examines well-known masterpieces by Dirk Bouts, Gerard David, and Hans Memling as well as little-known works, some published here for the first time. Using the latest advances in technical studies, including weave density maps, it reveals new insights. Beautifully designed and lavishly illustrated with numerous color illustrations, this volume joins a series of exhaustive studies of early Netherlandish paintings that was begun shortly after the second world war.

Painting --- anno 1400-1499 --- Flanders --- Painting, Flemish --- Peinture --- Peinture flamande --- Catalogs --- Catalogues --- Musées --- Histoire --- Museums --- California --- Los Angeles (Calif.) --- Painting [Flemish ] --- 16th century --- Criticism and interpretation --- 15th century --- Painting [Gothic ] --- Belgium --- Histoire. --- Catalogs.

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Panel painting, High Gothic --- Panel painting, Medieval --- Medieval panel painting --- High Gothic panel painting --- Panel painting, Gothic --- High Gothic --- Exhibitions --- Conservation. Restoration --- Painting --- sales catalogs --- research [function] --- panel painting [image-making] --- anno 500-1499 --- middeleeuwse kunst. --- paneelschilderkunst. --- middeleeuwse kunst --- paneelschilderkunst

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The first published monograph on the Antwerp painter Jan de Beer (c.1475-1527 /28), with an oeuvre catalogue The Antwerp painter Jan de Beer (c.1475-1527 /28) was highly esteemed in his lifetime and still famous forty years after his death, but then fell into oblivion until the early twentieth century. This monograph is the first published, comprehensive study of his art and career. Its biography is the result of a thorough search of the archives and includes a recently discovered teaching contract with Lieven van Male of Ghent. All documents are fully transcribed, including documents for the artist's painter-son, Aert de Beer (c.1508-1538/40). Results from technical studies of the artist's work, including underdrawings and dendrochronological dating, are incorporated throughout the book. The artist's surviving oeuvre consists of forty works, mainly devotional paintings and triptychs but also a dozen drawings and a stained glass window in Antwerp Cathedral after a lost design. De Beer's stylish, elegant art exerted a powerful appeal upon the buying public, churches abroad, and copyists. His lost Adoration of the Magi was the best-selling painting design in Antwerp at the time. De Beer is further important as one of only two Antwerp artists of his generation for whom a signficant body of drawings exist. The catalogue of paintings and drawings by the artist and his workshop, including the numerous copies and variants, comes to over 170 works. De Beer's art is typically associated with the work of the Antwerp Mannerists, a prominent group of painters active in the city during his lifetime. This study argues that De Beer's work, plus that of the Mannerists and the city's retable carvers, should be understood as a novel, modern expression of late Gothic art, a sixteenth-century renewal of the Gothic mode that was also manifested in contemporary architecture, calligraphy, music and poetry.

Painting --- Late Gothic --- easel paintings [paintings by form] --- Beer, de, Jan --- Antwerp --- Painting, Gothic --- Painters --- Peinture gothique --- Peintres --- Biography --- Biographies --- Beer, Jan de, --- 7.033.5 --- 7.033.5 Gotiek. Laat-Middeleeuwse kunst --- Gotiek. Laat-Middeleeuwse kunst --- Art, Flemish --- Mannerism (Art) --- Themes, motives --- Mannerism (Art) - Belgium - Antwerp --- Beer, Jan de, - approximately 1475-approximately 1528 - Themes, motives --- Beer, Jan de, - approximately 1475-approximately 1528